Fall 2004
Essays
James F. Cooper
The Unfinished Print
Frederick Turner
Time in the Arts
Sandy Sorlien
The Meaning of Light
Diane Apostolos-Cappadona
From Instrucion to the Education of Vision
Gail Leggio
Redefining Childhood: John Singer
Sargent Painting Children
Book Review
Review by André Gushurst-Moore
The Best of The Public Square: Book Two
by Richard John Neuhaus
Exhibitions
Vasemania
Leslie Horan Simon
Kehinde Wiley
Kevin Fitzgerald
Klaudia Marr Gallery
Summer 2004
Essays
James F. Cooper
Reflections on the Whitney Biennial
Frederick Turner
Reading Contemporary American Poetry
Leland Wallin
Harnett’s Hidden Constellation
Gail Leggio
Women of Imagination
Stephen May
Return from Oblivion:
Reassessing the Art of Gari Melchers
James Lance McElhinney
Summer Academies
Book Review
Review by Stephen W. Semes
Vitruvius on Architecture
by Thomas Gordan Smith
Exhibitions
John Wilmerding
Lynn Veitzer
Edgar Jerins
Jenkins Johnson Gallery
Spring 2004
Essays
James F. Cooper
Reflections on The Passion
Frederick Turner
The State of Poetry
Karen L. Mulder
Carving the American Heart:
Sculptures by Donal Hord
Gail Leggio
The God’s Return
Diane Apostolos-Cappadona
On the Pleasures of Learning How to Read
Stephen Mirabella
The Hickory Museum of Art
James Lancel McElhinney
The Rebirth of Drawing
Exhibitions
Harlem Studio of Art
John Pence Gallery
Coming of Age in Ancient Greece
Mallory Lake
Alice Dalton Brown
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Winter 2004
Essays
James F. Cooper
Return of the Academy
James Romaine
Eric Fischl Under the Weight of Tradition
Frederick Turner
Teaching an Art
Gail Leggio
The Avant-Garde and the Sea
Diane Apostolos-Cappadona
The Gentle Art of Making Exhibitions: Whistler’s Centennial
Patrick Connors
The Legacy of the Pennsylvania Academy of the Fine Arts
Exhibitions
Sanford Gifford
Gary Weisman
Renée Foulks
Eleanor Ettinger Gallery
Wolf Kahn As Curator