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Summer 2008
Essays
James F. Cooper
The New Traditionalism
Moving into the Future
Donald Kuspit
Poussin
The Nobility of Nature
Frederick Turner
The Real Outsiders
Gail Leggio
Painted Veils
Alison Armstrong
When Craft Meets Art
Investigations in Beauty
J.D. Smith
A Defense of Virtuosity
James Lancel McElhinney
How Training Artists in Liberal Arts Environments Fails
Book Review
Review by Theodore L. Prescott
Monuments: America’s History in Art and Memory
by Judith Dupré
Exhibitions
Luciano Ventrone
Tula Telfair
Edward Minoff
Andrea J. Smith
Poetry
Bill Coyle
Summer’s End
Spring 2008
Essays
James F. Cooper
Culture Does Count
Steven W. Semes
New Buildings Among Old
Historicism and the Search for an
Architecture of Our Time
Robert Proctor
The Fine and the Liberal Arts
A Vision for the Future
Frederick Turner
Abundance and the Human Imagination
Gail Leggio
Spanish Style
On the Cusp of a Golden Age
and
Spanish Realism Today
Makoto Fujimura
The Epistle of Vincent van Gogh
Stephen May
Transatlantic Synergy
French and American Impressionists
Exhibitions
Eye on the Environment
Michael Klein
Ray Donley
Stephen Tanis
Kim Cogan
Poetry
Rhina Espaillat
Icicles
Winter 2008
Essays
James F. Cooper
Giorgio De Chirico
Modernism to Postmodernism
Cristina La Porta
Maria Izquierdo
The Artist As Image
Tom Jay
The Necessity of Beauty
Gail Leggio
Emulous of Light
J.M.W. Turner
Frederick Turner
Form and Content
What is Art About Now?
Book Review
Review by Alison Armstrong
Why Art Cannot Be Taught
by James Elkins
Review by Gail Leggio
Milton Glaser nella città di Piero
Review by James F. Cooper
Frederick Hart: The Complete Works
Exhibitions
The Prodigal Son
Scherer and Ouporov
Daniel Sprick
Scott Fraser
Ancient Roman Art
Poetry
Susan Thomas
Arbus at the MET