Summer 2010
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Essays
James F. Cooper
Henry Clay Frick and the Virtue of Art
Gail Leggio
Keep it Fresh: Contemporary Artists Exploring Tradition
Theodore Prescott
An Aesthetic of Doubt?
Frederick Turner
The Eyes of Texas:Texas Art and Texas Light
Alix Finkelstein
Contemporary Portraiture
Lucien Steil
Metaphysical Archaeology of Lighthouses Part II
Exhibitions
Vincent Giarrano
Brad Reuben Kunkle
George Billis Gallery
Christopher Stott
Poetry
R. Nemo Hill
In Distance
Marilyn Nelson
A Small Good News
Spring 2010
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Essays
James F. Cooper
Art and Culture in Hard Times
Frederick Turner
The Human Voice
Robert E. Proctor
Beauty as Symmetry
The Education of Vitruvius’ Architect and Raphael’s Stanza della Segnatura
Lucien Steil
Metaphysical Archaeology of Lighthouses
Part II
Gail Leggio
The Paradoxes of Piranesi
Book Reviews
Review by Dino Marcantonio AIA
The Future of the Past: A Conservation Ethic for Architecture, Urbanism and Historic Preservation
by Steven W. Semes
Review by Meredith Bergmann
Mastering Portraiture: Advanced Analyses of the Face Sculpted in Clay
by Philippe and Charisse Faraut
Exhibitions
Modeling Grace
The Human Figure
John Haberle
Nelligan and Bileck
Playing with Pictures
Poetry
George Green
The Treaty of Paris
William Baer
The Swimming Pool Float
A.E. Stallings
Umbrage
Winter 2010
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Essays
James F. Cooper
The Unbearable Vacuum of Kitsch
Robert E. Proctor
Beauty as Symmetry
The Education of Vitruvius’ Architect and Raphael’s Stanza della Segnatura
Carroll William Westfall
Classicism and Language in Architecture
Gail Leggio
Living With the Past
Frederick Turner
Art, Nature And Human Nature
James Matthew Wilson
The Remarkable Unremarkable Meter of Timothy Steele
Exhibitions
Ilya Zomb
Sonya Sklaroff
Israel Hershberg
Gallery Henoch
A Figural Presence
Akio Takamori
Poetry
Aaron Poochigian
Captain Lewis at the Great Falls
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