In this unfinished work by Benjamin West our ministers are grouped off to the left, and where, across from them, our vanquished foes, the Brits, should be, there’s just a misty blur. Their envoys wouldn’t sit, and so it seems our ministers are meeting with a cloud. It looks just like a Larry Rivers, too, with Rothko pitching in (he did the cloud). The painting’s incompleteness can suggest some metaphysical perplexities, some problems that we might as well address. The cloud could be a symbol, here, of absence, a phantom delegation from the void, or it might mean much more than that. The cloud could be a metaphor for modern art eating away the ancien régime of neo-classicism. That explains it. These foolish men, now styled our “founding fathers,” have sold us down the river of abstraction. The War of Independence—what a joke! It was a blank, the shot heard ‘round the world. For surely it is they who must surrender, John Jay, Ben Franklin, Adams, and the rest. And what terms, after all, could they expect? Those odious poltroons—they’ve sold us out! That’s not a treaty that they’re signing. No! It’s utter and complete capitulation! Those dunderheaded dolts, how dare they treat with total vacancy? How dare they treat with embassies of fog? So, now we see our flocks and herds, our mills and fisheries, are stippled down in tiny specks and blotches or swathed in deep and ever-darker hues. Our people will dissolve. The weaker ones will fade like ghosts into an atmosphere where memory itself is brushed away. Some will seek refuge in the Cubist missions. Others will melt in surrealistic towns. It can’t be stopped. The very hand that guides this pen is vanishing. It won’t be me in streaming rags “escaped alone to tell thee.” It won’t be me that gets you out of this. American Arts Quarterly, Volume 27, number 2. |


